Playing Shakespeare: An Actor's Guide
Knopf Doubleday Publishing Group, 10 Nov 2010 - 288 halaman
Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright.
Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
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Playing Shakespeare: an actor's guideUlasan Pengguna - Not Available - Book Verdict
Walking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Baca ulasan lengkap
The Two Traditi0nsEliza12etvan and Modern Acting
Using the Verse1I eightened and Naturalistic Verse
Language and CharacterMaeing the Words Ones Own
Using the ProseWby Does Shakespeare Use Prose?
Set Speeches and Soliloquies
Using the SonnetsGoing Over Some Old Ground
ct Tmt Isnt WJat It Seems
Passion and Co0lness1 Question ofBalance
Rehearsing the TextOrsin0 and Viola
Exploring a CharacterPla_ying Sh_lOk
Edisi yang lain - Lihat semua
John Barton,Royal Shakespeare Company,London Weekend Television, ltd
Tampilan cuplikan - 1984
Istilah dan frasa umum
acting actor actually audience balance become beginning believe better break Caesar called changes character clear comes course David Suchet death direction director doth easy Elizabethan emotional example eyes feel ﬁnd ﬁrst follow give goes hand happens hath hear heart heightened Henry hold important intention irony it’s kind King language let’s Lisa Harrow listen live look lord mean mind moved naturalistic nature never once Orsino passage passion Patrick Stewart pause performance perhaps play poetic poetry problem prose question rehearsal rhythm Richard scene seems sense sentence Shake Shakespeare Shylock simple situation sometimes sonnet sounds speak speech stand stress strong sure talking tell That’s theater thee there’s thing thou thought tradition true verse VIOLA whole words wrong