The Aesthetics of Communication: Pragmatics and Beyond

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Springer Science & Business Media, Dec 6, 2012 - Philosophy - 174 pages
AESTHETICIZING PRAGMATICS The Gamut of Pragmatics Pragmatics emerged among the sciences of language at the end of the 1960's in reaction to certain totalizing models in linguistics: structuralism (primarily in Europe) and generative grammar (initially in the United States). Certain disciples of Chomsky became dissatisfied with autono mous syntax and later with generative semantics: they decided to break away from their mentor. Whereas Chomsky continued to talk a lot about very little, they defied him by speaking very suggestively about an exces sively broad range of phenomena. Pragmatics -which Bar-Hillel consid ered as a 'wastebasket discipline' in the fifties - nevertheless gained respectability. The history of pragmatics spans, of course, much more than three decades. The Stoic conception of language, in the shadow of the great Greek tradition and therefore intensely subversive, had in fact a pragmatic aim. The term pragmatisch appears in Kant: it expresses a relation with a human goal, this goal being only determinable within a community. This characterization naturally inspires the pragmaticism of l the Neo-Kantian Charles Sanders Peirce . It is this Kant-Peirce lineage that led to Morris and Carnap's rather bland conceptions of pragmatics, after the heavy losses incurred by positivism and behaviorism. In any case, despite the constant presence of a pragmatic approach in the history of thought, this reassessment of pragmatics (against the triumphs proclaimed by structuralism and generativism) was experienced as a Significant break through. A whole range of pragmatics came to the attention of linguists.
 

Contents

INTRODUCTION
1
Three Little Ontologies
8
CHAPTER 1
17
Calculus and Manipulation
24
The Art of War or Kriegskunst
31
CHAPTER 2
39
Linguistic Intermezzo
46
Sensing Time
48
Values as the Reasons for Passion
103
The Reasons for Desiring Passion
105
CHAPTER 5
111
The Overwhelmed Imagination
118
The Schema of Aesthetic Values
124
The Aestheticity of Elegance
130
CHAPTER 6
137
Natural Grammar and its Strategies
143

Suffering Time
62
The Indexicality of Figures and Configurations
76
The Discursive Economy of Pathos
90
The Royal Way
151
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