Dance to the Piper |
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Page 13
... artists . And although very few of them were artists , they all had the pleasure and pride of believing they might be and worked accordingly . Some of their exuberance found its way into the productions and many of these films have the ...
... artists . And although very few of them were artists , they all had the pleasure and pride of believing they might be and worked accordingly . Some of their exuberance found its way into the productions and many of these films have the ...
Page 150
... artistic line in 1931-1933 . The Communists then suddenly discovered that they were Americans with grass roots down to ... artist and then woman as woman , inaugurating her poetic tragedies Letter to the World , Deaths and Entrances and ...
... artistic line in 1931-1933 . The Communists then suddenly discovered that they were Americans with grass roots down to ... artist and then woman as woman , inaugurating her poetic tragedies Letter to the World , Deaths and Entrances and ...
Page 239
... artists . The mistake of an artist may be a godsend . The last rule , number seven , applies to the old - style producer . It has no reference to people like Rodgers and Ham- merstein , Langner and Helburn , who have understanding of ...
... artists . The mistake of an artist may be a godsend . The last rule , number seven , applies to the old - style producer . It has no reference to people like Rodgers and Ham- merstein , Langner and Helburn , who have understanding of ...
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afternoon Agnes American Anna Pavlova Antony Tudor arms artist asked audience Ballet Russe Ballet Theatre beautiful boys choreographer composed concert costumes course curtain dance dancers Denham Diaghilev dollars dress Eugene Loring eyes face Father feet floor Frederick Ashton Fredova friends gave gesture girls hair hands head Hollywood Hugh Laing jump knew Kosloff learned legs lived looked Louis Horst Lucia Chase Madame manager Marc Platt Marie Rambert Martha Graham Mary Massine Meckel morning Mother moving never night performance played practice professional Rambert rehearsal Richard Rodgers Russian Ruth St seemed soloist stage star stood stop studio style Sybil Shearer talked technique theater thing thought told took tour troupe turned Uncle Cecil waiting walked wanted Warren week woman women York young