The Giaour A Fragment Of A Turkish Tale

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Kessinger Publishing, Jun 1, 2004 - Fiction - 48 pages
3 Reviews
And lust and rapine wildly reign To darken o'er the fair domain. It is as though the fiends prevail'd Against the seraphs they assail'd, And, fix'd on heavenly thrones, should dwell The freed inheritors of hell; So soft the scene, so form'd for joy.

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Review: The Giaour: A Fragment of a Turkish Tale

User Review  - Martin Michalek - Goodreads

Written during the same mediterranean excursion that birthed Childe Harold, one would not be reproached for reading "The Giaour" the same way he reads "Childe Harold"—that is to say, reading it as ... Read full review

Review: The Giaour: A Fragment of a Turkish Tale

User Review  - Ben Dutton - Goodreads

When he was joined by his friends Percy Bysshe Shelley and his lover Mary Wollstonecraft Godwin (later Mary Shelley), in Switzerland, they discussed galvanism, and the reconstitution of human flesh ... Read full review

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About the author (2004)

English poet and dramatist George Gordon, Lord Byron was born January 22, 1788, in London. The boy was sent to school in Aberdeen, Scotland, until the age of ten, then to Harrow, and eventually to Cambridge, where he remained form 1805 to 1808. A congenital lameness rankled in the spirit of a high-spirited Byron. As a result, he tried to excel in every thing he did. It was during his Cambridge days that Byron's first poems were published, the Hours of Idleness (1807). The poems were criticized unfavorably. Soon after Byron took the grand tour of the Continent and returned to tell of it in the first two cantos of Childe Harold (1812). Instantly entertained by the descriptions of Spain, Portugal, Albania, and Greece in the first publication, and later travels in Belgium, Germany, Switzerland, and Italy, the public savored Byron's passionate, saucy, and brilliant writing. Byron published the last of Childe Harold, Canto IV, in 1818. The work created and established Byron's immense popularity, his reputation as a poet and his public persona as a brilliant but moody romantic hero, of which he could never rid himself. Some of Byron's lasting works include The Corsair, Lara, Hebrew Melodies, She Walks In Beauty, and the drama Manfred. In 1819 he published the first canto of Don Juan, destined to become his greatest work. Similar to Childe Harold, this epic recounts the exotic and titillating adventures of a young Byronica hero, giving voice to Byron's social and moral criticisms of the age. Criticized as immoral, Byron defended Don Juan fiercely because it was true-the virtues the reader doesn't see in Don Juan are not there precisely because they are so rarely exhibited in life. Nevertheless, the poem is humorous, rollicking, thoughtful, and entertaining, an enduring masterpiece of English literature. Byron died of fever in Greece in 1824, attempting to finance and lead the Byron Brigade of Greek freedom fighters against the Turks.

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