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able acting action actor actresses amusement artificial artist audience beautiful become believe better brain bring colour craft create director drama dramatist dream Edmund Kean Eleonora Duse emotion England entirely Europe expression eyes face feel figures footlights give Hamlet hear Henry Irving hundred idea ideal imagination instrument intelligence invent King King Lear light look Macbeth manager Mark Antony material matter mean mind modern theatre Mount Carrara move movement Munich Philharmonic Orchestra musician natural never North Pole once Othello painter painting perfect performance person picture play Playgoer Yes playwright poet possible practical produce puppet realism reason rehearsal Romeo and Juliet scenery seems seen Semar sense Shakespeare speak spirit stage Stage-director Yes stage-manager suppose symbol tell theatrical thing thought to-day told truth understand voice whole wish women words
Page 253 - of dog, Adder's fork, and blind-worm's sting Lizard's leg, and howlet's wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. All. Double, double, toil and trouble ; Fire, burn
Page 72 - in is not more inadequate to represent the horror of the real elements than any actor can be to represent Lear. They might more easily propose to personate the Satan of Milton upon a stage, or one of Michelangelo's terrible
Page xv - there are suitable true forms, and then there are untrue unsuitable. As the briefest definition one might say, Forms which GROW round a substance, if we rightly understand that, will correspond to the real Nature and purport of it, will be true, good ; forms which are consciously put round a. substance, bad.
Page 269 - IT IS IN AND THROUGH SYMBOLS THAT MAN, CONSCIOUSLY OR UNCONSCIOUSLY, LIVES, WORKS AND HAS HIS BEING : THOSE AGES, MOREOVER, ARE ACCOUNTED THE NOBLEST WHICH CAN THE BEST RECOGNIZE SYMBOLICAL WORTH, AND PRIZE IT HIGHEST.
Page 72 - compose certain things in rhyme, in the which thou shalt set forth how strong a mastership I have obtained over thee, through her. And so write these things that they shall seem rather to be spoken by a third person, and not directly by thee to her, which is scarce fitting.
Page 110 - Words to the heat of deeds too cold breath gives. I go, and it is done ; the bell invites me. Hear it
Page 109 - Is this a dagger that I see before me, The handle toward my hand ? Come, let me clutch thee : I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind ; a false creation Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As that which now I draw. Thou
Page 109 - my whereabout, And take the present horror from the time, Which now suits with it—Whiles I threat he lives