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able acting action actor actual appear artist audience beautiful become begin believe better body bring certainly clear colour comes consider continually costume create desire difficult directions director emotion England entirely experience expression eyes face fact feel figures five follow force give hand head hear human hundred idea ideal imagination interest less light living longer look Macbeth manager material matter mean method mind move movement natural never once painter pass perfect performance perhaps person picture play PLAYGOER PLAYGOER Yes poet position possible practical prepared present produce question reason remember scene seems seen sense Shakespeare speak spirit stage STAGE-DIRECTOR stage-manager stand suppose symbol tell theatre thing thought to-day told truth understand voice whole wish write
Page 253 - of dog, Adder's fork, and blind-worm's sting Lizard's leg, and howlet's wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. All. Double, double, toil and trouble ; Fire, burn
Page 72 - in is not more inadequate to represent the horror of the real elements than any actor can be to represent Lear. They might more easily propose to personate the Satan of Milton upon a stage, or one of Michelangelo's terrible
Page xv - there are suitable true forms, and then there are untrue unsuitable. As the briefest definition one might say, Forms which GROW round a substance, if we rightly understand that, will correspond to the real Nature and purport of it, will be true, good ; forms which are consciously put round a. substance, bad.
Page 269 - IT IS IN AND THROUGH SYMBOLS THAT MAN, CONSCIOUSLY OR UNCONSCIOUSLY, LIVES, WORKS AND HAS HIS BEING : THOSE AGES, MOREOVER, ARE ACCOUNTED THE NOBLEST WHICH CAN THE BEST RECOGNIZE SYMBOLICAL WORTH, AND PRIZE IT HIGHEST.
Page 72 - compose certain things in rhyme, in the which thou shalt set forth how strong a mastership I have obtained over thee, through her. And so write these things that they shall seem rather to be spoken by a third person, and not directly by thee to her, which is scarce fitting.
Page 110 - Words to the heat of deeds too cold breath gives. I go, and it is done ; the bell invites me. Hear it
Page 109 - Is this a dagger that I see before me, The handle toward my hand ? Come, let me clutch thee : I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind ; a false creation Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As that which now I draw. Thou
Page 109 - my whereabout, And take the present horror from the time, Which now suits with it—Whiles I threat he lives