Visions of the East: Orientalism in Film
Using Edward Said's framework - and developments in colonialist and post-colonialist studies - to investigate orientalism in the cinemas of France, England and America, the contributors draw upon feminist analysis, genre criticism, psychoanalytic interpretation and political history. Starting with a demonstration of how colonialist and patriarchal ideologies interrelate in orientalist narrative films, following chapters explore camp and orientalism in selected musicals: the family romance of orientalism in Madame Butterfly and Indochine, and Disney's Aladdin as a mirror of America's shifting perceptions of the Muslim world. The contributors include Dudley Andrew, Matthew Bernstein, Phebe Chao and Mary Hamer.
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Toward a Feminist
Phebe Shih Chao
A Select Bibliography
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Africa Aladdin American ancient Arab Asian associated audiences Ballets Russes Bazin body British Caesar and Cleopatra camera Camille Casbah cinema colonial classical Cole's colonialist context costume culture dance dancers dark desire difference Disney East Egypt Egyptian Hall Egyptology Eliane Eliane's essay ethnographic European example exotic family romance fan magazine fantasies female feminine Feminist Figure film's filmmaking French gender genre girl harem Hollywood Ibid identity Indochine Jack Cole L'Appel du silence Leslie linked London Madame Butterfly male masculine melodrama metaphor Miss Saigon modern Motion Picture mummy musical narrative native Night of Counting Orientalism Orientalist Orientalist films Pepe le Moko photograph played Poirier political popular projected racial rape representation role Salome scene screen sexual Shawn Sheik shot Slimane spectacle spectator sphinx star story suggests Ted Shawn Theda Bara Third World tion tomb University Press Valentino vamp visual West Western woman women Wyler York