Getting it All Together: A Handbook for Performing Artists in Classical Music and Ballet |
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accompanist activities administrators agents AGMA agrees American Symphony Orchestra arrangements arrive Artist's Manager artistic directors arts audience audition aware ballet BASIC AGREEMENT become Beverly Sills broadcasting brochure budget CAAM career development career entry colleagues commission competition concert conductor contract costs countries cultural debut dience discussion earning EMPLOYER engagements ensemble Europe European expenses fees finalists George Shirley goals Grand Tradition guest hereof important income industry interview Italian Italy Jaime Laredo Joseph Kalichstein Judith Blegen mance Marks Levine materials ment musicians Nancy Kovack negotiation North America opera companies opportunity orches orchestra organizations percent performances period person photographs Pinchas Zukerman planning possible prepared presenter profes professional programs rehearsal repertoire responsibility roles sales piece scheduled season Sharon Robinson singers singing soloist sometimes Teatro alla Scala theater tion tour usually voice York young artists