Getting it All Together: A Handbook for Performing Artists in Classical Music and Ballet |
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Page 7
... goals . Classical ballet training has been considered a requisite for all , but those wishing to train in modern dance or jazz must determine this early . Male dancers still have problems with parents sometimes , but this , too , is ...
... goals . Classical ballet training has been considered a requisite for all , but those wishing to train in modern dance or jazz must determine this early . Male dancers still have problems with parents sometimes , but this , too , is ...
Page 12
... goals of the symphony associa- tion . 2. Ability to fulfill the symphony association's specific image needs to the community . 3. Capacity to assist with ticket sales and fundraising campaigns . 4. Interest in fostering rapport with ...
... goals of the symphony associa- tion . 2. Ability to fulfill the symphony association's specific image needs to the community . 3. Capacity to assist with ticket sales and fundraising campaigns . 4. Interest in fostering rapport with ...
Page 15
... goals and accomplishments , continue the self - evaluation , and chart a new course for the future . It is difficult to generalize in giving advice at this juncture of an artist's career - each person is unique and comes to terms with ...
... goals and accomplishments , continue the self - evaluation , and chart a new course for the future . It is difficult to generalize in giving advice at this juncture of an artist's career - each person is unique and comes to terms with ...
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Common terms and phrases
accompanist activities administrators agents AGMA agrees American Symphony Orchestra arrangements arrive Artist's Manager artistic directors arts audience audition aware ballet BASIC AGREEMENT become Beverly Sills broadcasting brochure budget CAAM career development career entry colleagues commission competition concert conductor contract costs countries cultural debut dience discussion earning EMPLOYER engagements ensemble Europe European expenses fees finalists George Shirley goals Grand Tradition guest hereof important income industry interview Italian Italy Jaime Laredo Joseph Kalichstein Judith Blegen mance Marks Levine materials ment musicians Nancy Kovack negotiation North America opera companies opportunity orches orchestra organizations percent performances period person photographs Pinchas Zukerman planning possible prepared presenter profes professional programs rehearsal repertoire responsibility roles sales piece scheduled season Sharon Robinson singers singing soloist sometimes Teatro alla Scala theater tion tour usually voice York young artists