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accompanist achieve activities agency agents AGMA agreement American Symphony Orchestra arrangements arrive artist management artistic directors artists and managers audience audition aware basic become Beverly Sills booker broadcasting brochure budget career development career entry colleagues commission competition concert conductor contract costs countries cultural debut dience discussion earning Elly Ameling engagements ensemble Europe European fees finalists Gary Graffman George Shirley goals Grand Tradition guest important income industry interview Italian Italy Judith Blegen keep Leonard Bernstein mance Marks Levine materials ment Metropolitan Opera musicians Nancy Kovack negotiation North America Opera America opera companies opportunity orches organizations percent performances person photographs Pinchas Zukerman planning possible prepared presenter profes professional programs rehearsal repertoire responsibility roles sales piece scheduled season singers singing soloist sometimes theater tion tour usually voice York young artists