Claude Debussy: Pelléas Et Mélisande
The first comprehensive guide to Pelléas et Mélisande, Debussy's only completed opera, this book is written by three of the leading authorities on French music of the period. As a background to the opera Richard Langham Smith discusses the play, by the Belgian dramatist Maeterlinck, and considers its literary roots. David Grayson then traces the genesis and composition of the opera, examining also the sketches and rejected versions in order to illuminate Debussy's compositional strategies. A detailed synopsis by Roger Nichols, which considers carefully Debussy's musical response to the text, forms a central chapter. The book then moves on to consider more detailed aspects of the style and language of the opera. The relationship between symbols and musical motives forms the basis of a chapter by Richard Langham Smith, and a subsequent chapter by him considers the themes of darkness and light and the key-schemes used to portray them. Two chapters by Roger Nichols on the various performances since 1902 and on the ideas of interpreters and commentators complete the text. The book concludes with a detailed bibliography and a discography.
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accompaniment Act IV scene Allemonde Andre Messager appears Arkel atmosphere bars Boulez c'est Carre castle characters clarte Claude Debussy composer composer's darkness and light death Debussy's music destiny device dominant draft drama end of Act Example expressed fait final Fit major FK major forest Fromont full score further Genevieve Golaud Golaud's motif half-diminished chord harmonic fields Hector Dufranne Inghelbrecht interlude J'ai later Le Figaro leitmotif Lesure Lettres letter linck London love-scene Lydian Maeter Maggie Teyte manuscript Mary Garden Maurice Emmanuel Maurice Maeterlinck Melisande's hair melodic musique mystery opera Opera-Comique Orch orchestral Paris passage Paul Dukas Pelleas and Melisande Pelleas et Melisande Pelleas's performance perhaps phrase play premiere production rehearsal revisions Revue rhythm RN trans Roger Nichols role silence stage symbolism Symbolist Theatre theme tion tonal tout Tresor des Humbles Tristan underline vocal score Wagner whole-tone words wrote Yniold
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