Dowland

Front Cover
Oxford University Press, 2024 - Biography & Autobiography - 262 pages
Dowland celebrates the story of one of the most important composers to emerge from early modern England. This book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). It provides a window into life as a musician in the Elizabethan-Jacobean era, illuminating the importance of social, courtly, and academic connections as it closely explores the composer's musical compositions. During his lifetime, Dowland was well-known for his prowess as a performing lutenist who established a reputation not only in England, but also in the German and Italian lands, Denmark, and beyond. His lute solos and duos survive in manuscripts collected across Europe. He also issued four books of lute song-ayres, including the most successful secular music anthology of the era, one collection of consort music, and a theoretical translation, all printed in London. In these publications, Dowland utilized innovative print formats and set new standards for contemporary genres. Collectively, Dowland's compositions and writings present the self-styled image of a man always seeking more. This book places these activities within a biographical timeline of ongoing artistic, commercial, and reputational pursuits. As a complete record, Dowland captures the entrepreneurial resourcefulness of the foremost musician of his day, a performing composer who understood expected conventions, seized opportunities, and created a musical legacy that still stands firm 400 years after his death.
 

Contents

Part Navigating the Continent
43
Part Serving Two Nations
105
Part Returning Home
161
Epilogue
211
APPENDIX A John Dowland Letter to Robert Cecil 10 November 1595
213
APPENDIX B Calendar
217
APPENDIX C Select List of Works
219
APPENDIX D Personalia
225
Notes
229
Select Bibliography
253
General Index
257
Index of Dowlands Works
261
Copyright

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About the author (2024)

K. Dawn Grapes is an Associate Professor of Music History in the School of Music, Theatre, and Dance at Colorado State University. Her research focuses on the music of Early Modern England and music history pedagogy and her publications include With Mornefull Musique: Funeral Elegies in Early Modern England (2018), John Dowland: A Research and Information Guide (2020), as well as articles and book chapters in numerous journals and collections.