Speak it Louder: Asian Americans Making Music

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Psychology Press, 2004 - Music - 388 pages

Speak It Louder: Asian Americans Making Music documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. Speak It Louder: AsianAmericans Making Music encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.

 

Contents

Asian American Performativities
3
History Memory ReMembering
19
Taking to the Street Cambodian Immigrants in the Philadelphia Mummers Parade
53
Karaoke Mass Mediation and Agency in Vietnamese American Popular Music
69
Pham Duy at Home Vietnamese American Technoculture in Orange County
89
Encounters
115
Making Space Making Noise Locating Asian American Resistance in the Festival
117
Listening to Local Practices Performance and Identity Politics in Riverside California
139
Taiko in Asian America
195
Just Being There Making Asian American Space in the Recording Industry
233
Finding an Asian American Audience The Problem of Listening
257
ImprovisAsians Free Improvisation as Asian American Resistance
275
Ethnography Ethnomusicology and PostWhite Theory
299
My Fathers Life in Music
321
Thinking About the Old Village Khit haut baan kao
339
Bibliography
347

New Interventions
159
The Asian American Body in Performance
161

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About the author (2004)

Deborah Wong is Associate Professor of Music at the University of California, Riverside. She is a widely recognized authority on Asian and Asian American music and performance, popular media, and cultural studies. She resides in Riverside, CA.