Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum

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W. W. Norton & Company, 1965 - Music - 156 pages
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The essence of the most celebrated book on counterpoint, Fux's Gradus ad Parnassum.

The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, "Perhaps the craft of composition would really have fallen into decline if Fux's Gradus had not set up a standard."

Originally written in Latin, Steps to Parnassus was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux's teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library.

 

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Contents

INTRODUCTION
vii
THE AUTHORS FOREWORD TO THE READER
17
NOTE AGAINST NOTE
27
THE SECOND SPECIES OF COUNTERPOINT
41
NOTE AGAINST NOTE IN THREE PARTS
71
HALF NOTES AGAINST WHOLE NOTES IN THREE PARTS
86
FOUR PART COMPOSITION OR WRITING IN FOUR VOICES
109
HALF NOTES AGAINST WHOLE NOTES
117
THE LIGATURE
127
APPENDIX
141
BIBLIOGRAPHY
149
Copyright

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About the author (1965)

Johann Joseph Fux was an Austrian composer, music theorist and pedagogue of the late Baroque era. He is most famous as the author of Gradus ad Parnassum, a treatise on counterpoint, which has become the single most influential book on the Palestrinian style of Renaissance polyphony.

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