Michael Reeves

Front Cover
Manchester University Press, Nov 8, 2003 - Biography & Autobiography - 248 pages
Cine-literate and single-minded, Michael Reeves took on exploitative film production companies, the British censors, and even Vincent Price to create a unique vision of savage poetry and lacerating despair: Witchfinder General. He died aged 25 in 1969, between the end of Swinging London and the collapse of the British film industry - an apt candidate to represent all that could have been. This critical biography claims Reeves as the great, lost auteur of British cinema and traces his conception of film back to his childhood and formative experiences. Benjamin Halligan examines Reeves's films in the context of the times, citing The Sorcerers and Witchfinder General as foreshadowing and critiquing the psychedelic and revolutionary zeitgeist. Reeves's earlier work on the fringes of the freewheeling European exploitation cinema is also covered, with particular emphasis on his Revenge of the Blood Beast. Drawing on recollections from colleagues, friends and family, many speaking here for the first time, draft scripts, correspondence and original documentation pertaining to the controversial censorship of Witchfinder, and Reeves's struggle with his own private demons, Halligan creates a complete picture of this elusive, driven figure and his films. He speculates on what Reeves would have gone on to achieve, and why this should still matter.
 

Contents

List of illustrations
1
98
8
Displaced Person English
9
Preparing to shoot interiors in Lavenham Courtesy
12
This is a Don Siegel shot
33
The Sorcerers happening
54
288
97
Tracking with the village mob for the precredit hanging
101
This is England Vincent
107
Ultimata
152
Via dolorosa
195
FILMOGRAPHY
229
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British Film
Jim Leach
Limited preview - 2004

About the author (2003)

Benjamin Halligan is a Lecturer in Film at York St. John College.

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