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absolute abstract Ęsthetic aesthetic theory analysis ancient antiquity antithesis appears architecture Aristotle Aristotle's artistic beauty century character characteristic classical colour comedy conception concrete connection consciousness contrast Corneille criticism definite Descartes distinction doctrine drama Dramaturgie dualism elements Encycl essential existence expression fact feeling formal formative art genius German Goethe Greek Greek art harmony Hegel Hellenic Herbart human idea ideal imagination imitation import individual intellectual interest Kaimes Kant Kant's Laocoon latter Lessing Lessing's Leben material meaning metaphysical mind modern moral nature object objective idealism painting perception phases Pheidias philosophy Plato pleasure Plotinus poet poetic poetry present principle pure purpose question reality reason recognised reference relation Renaissance representation represented romantic Schasler Schelling Schiller Schopenhauer sculpture sense sensuous shape significance simple spirit sublime suggested symbolic symbolic art tendency things thought tion tragedy treatment true ugliness unity whole Winckelmann writers
Page 160 - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature: for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Page 278 - Go, Sun, while Mercy holds me up On Nature's awful waste To drink this last and bitter cup Of grief that man shall taste — Go, tell the night that hides thy face, Thou saw'st the last of Adam's race, On Earth's sepulchral clod, The darkening universe defy To quench his Immortality, Or shake his trust in God ! A DREAM.
Page 461 - On the other hand, if you will make a man of the working creature, you cannot make a tool. Let him but begin to imagine, to think, to try to do anything worth doing ; and the engine-turned precision is lost at once. Out come all his roughness, all his dulness, all his incapability; shame upon shame, failure upon failure, pause after pause : but out comes the whole majesty of him also ; and we know the height of it only when we see the clouds settling upon him.
Page 460 - You can teach a man to draw a straight line, and to cut one; to strike a curved line, and to carve it; and to copy and carve any number of given lines or forms, with admirable speed and perfect precision; and you find his work perfect of its kind: but if you ask him to think about any of those forms, to consider if he cannot find any better in his own head, he stops; his execution becomes hesitating; he thinks, and ten to one he thinks wrong; ten to one he makes a mistake in the first touch he gives...
Page 475 - Men have oftener suffered from the mockery of a place too smiling for their reason than from the oppression of surroundings oversadly tinged. Haggard Egdon appealed to a subtler and scarcer instinct, to a more recently learnt emotion, than that which responds to the sort of beauty called charming and fair.
Page 154 - For where the stage should always represent but one place, and the uttermost time presupposed in it should be, both by Aristotle's precept and common reason, but one day, there is both many days and many places inartificially imagined.
Page 24 - Shall we, then, speak of him as the natural author or maker of the bed? Yes, he replied; inasmuch as by the natural process of creation he is the author of this and of all other things. And what shall we say of the carpenter — is not he also the maker of the bed? Yes. But would you call the painter a creator and maker?
Page 93 - Those ever springing flowers, and ever flowing streams had been dyed by the deep colours of human endurance, valour, and virtue ; and the crests of the sable hills that rose against the evening sky received a deeper worship, because their far shadows fell eastward over the iron wall of Joux, and the four-square keep of .Granson.