Stanislavsky on the Art of the Stage |
Contents
THE SYSTEM AND METHODS OF CREATIVE | 78 |
FIVE REHEARSALS OF WERTHER | 258 |
STAGE ETHICS | 287 |
Copyright | |
2 other sections not shown
Other editions - View all
Common terms and phrases
able achieve acting actor actor's creative already audience beauty become begin Bolshoy Theatre character Charlotte Charlotte's Chekhov circle of attention concentration consciousness create creative art creative artist creative circle creative powers develop discover elements emotional memory entirely everything expression external fact feeling fingers genius given circumstances habit harmony heart heroic tension human imagination important inner creative inspiration intuition living look love of art man's Massenet means melodrama methods mind mise-en-scenes Moscow Art Theatre motive forces movements nature never observation opera Othello passions performance philistine physical action play possess possible producer psycho-technique public solitude realise rehearsal repose rhythm ruling idea Salvini scene soul spectator spirit stage Stanislavsky points Stanislavsky writes Stanislavsky's system student-actor studio subconscious talent teacher tears theatrical thing thought through-action tion Tommaso Salvini true truth Uncle Vanya VERBITSKY voice Werther whole words