The Later Poetry of Wallace Stevens: Phenomenological Parallels with Husserl and Heidegger
This is a study of the development of the middle and later poetry of Wallace Stevens that uses comparisons with the phenomenological methods of Edmund Husserl and Martin Heidegger to clarify many of the difficulties in the poet's mature work.
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abstract aesthetic Auroras of Autumn becomes beginning Blue Guitar Canon Aspirin Canto concept creates creative Credences of Summer critics cycle Daniel Fuchs Dasein decreation Descartes described disclosure Doggett essence existence experience express fictive figure final Fuchs fulfillment Harmonium Harold Bloom Heidegger Heidegger's Hence Hillis Miller human Husserl Ideas of Order images imagination and reality imagination's implied Kermode kind language later poems later poetry Latest Freed Martin Heidegger meaning meditation metaphor mind and world mood mythic myths narrator Nassar nature nothingness object ontological original intuition paperback passage perception phase phenomenology philosopher poet poet's sense poetic Poetry of Wallace possible present reduction rejected relation revealed Riddel river rock Ronald Sukenick seasons Sein und Zeit song speaker stanza Stevens's poetry suggests Sukenick Supreme Fiction symbol temporal theory theory of description things thought tion Transport to Summer truth vision Wallace Stevens winter words