Black Liberation in the AmericasThe recognition that Africans in the Americas have also been subjects of their destiny rather than merely passive objects of European oppression represents one of the major shifts in twentieth-century mainstream historiography. Yet even in the eighteenth and nineteenth centuries, slave narratives and abolitionist tracts offered testimony to various ways in which Africans struggled against slavery, from outright revolt to day-to-day resistance. In the first decades of the twentieth century, African American historians like Carter G. Woodson and W.E.B. Du Bois started to articulate a vision of African American history that emphasized survival and resistance rather than victimization and oppression. This volume seeks to address these and other issues in black liberation from interdisciplinary and comparative perspectives, focusing on such issues as slave revolts, day-to-day resistance, abolitionist movements, maroon societies, the historiography of resistance, the literature of resistance, black liberation movements in the twentieth century, and black liberation and post colonial theory. The chapters span the disciplines of history, literature, anthropology, folklore, film, music, architecture, and art, drawing on the black experience of liberation in the United States, the Caribbean, and Latin America. |
Contents
FRITZ GYSIN AND CHRISTOPHER MULVEY | 1 |
STEPHANIE BROWNER | 4 |
PART | 13 |
Copyright | |
13 other sections not shown
Other editions - View all
Black Liberation in the Americas Collegium for African American Research. Conference No preview available - 2001 |
Common terms and phrases
Aesthetic African American antislavery argues artists become Black Aesthetic body Bois calls century character Charles Chesnutt children's claims color constitution Crèvecoeur's critical cultural discourse dominant early effect English equal essays experience expression fact female fictional figure final force Gates give hand human identity images issue kind land language Letters liberation Liberia literary literature living means Movement narrative Negro North notes novel Observer offered passing photographic plantation poem poet political position present published question race racial Reconstruction resistance rhetorical role says scene sense sexual slave slavery social society South Southern space speak story strategies Studies suggests theory tion Tolson tradition turn understand United University Press vision visual Walker woman women writing York