Why Does Tragedy Give Pleasure?
Why does tragedy give pleasure? Why do people who are neither wicked nor depraved enjoy watching plays about suffering or death? Is it because we see horrific matter controlled by majestic art? Or because tragedy actually reaches out to the dark side of human nature? A. D. Nuttall's wide-ranging, lively and engaging book offers a new answer to this perennial question. The 'classical' answer to the question is rooted in Aristotle and rests on the unreality of the tragic presentation: no one really dies; we are free to enjoy watching potentially horrible events controlled and disposed in majestic sequence by art. In the nineteenth century, Nietzsche dared to suggest that Greek tragedy is involved with darkness and unreason and Freud asserted that we are all, at the unconscious level, quite wicked enough to rejoice in death. But the problem persists: how can the conscious mind assent to such enjoyment? Strenuous bodily exercise is pleasurable. Could we, when we respond to a tragedy, be exercising our emotions, preparing for real grief and fear? King Lear actually destroys an expected majestic sequence. Might the pleasure of tragedy have more to do with possible truth than with 'splendid evasion'?
Other editions - View all
actually ancient answer Aristotle Aristotle’s audience begin believe Cambridge catharsis century Christian clear Complete consciousness Cordelia course death delight drama earlier effect element emotions ethical example explained fact fall fear feel formal Freud give given Golden Greek tragedy happen human idea imagination imitation Johnson kind King knowledge later Lear Lectures less London look matter mean mimesis mind moral move nature never Nietzsche notice notion Nussbaum object offered once original Oxford passage passion perhaps person philosopher pity Plato play pleasure Pleasure Principle poem poet Poetics poetry Politics present protagonist Psychoanalysis reader reality reason reference represent seems seen sense sentence Shakespeare Sidney simply speak story strong suffering suggestion suspect tells term theory things thought tragic translation true truth turn Unconscious University Press wish writes wrote