Face to Face: Portraits of the Divine in Early Christianity

Couverture
Fortress Press - 234 pages
Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and theology, conflicts over idolatry and iconography, and how the Christological controversies affected the portrayals of Christ. Since much of this art comes from ancient Rome, she places her analysis in the context of the history of Roman portraiture. One hundred photographs enhance the discussion.
 

Pages sélectionnées

Table des matières

Visual Art Portraits and Idolatry
1
Historical Analyses
4
Art and Idolatry in the Early ThirdCentury Christian Writings
9
Jewish Background for Christian Rejection of Visual Art
15
Church Regulation
19
A Particular Kind of Problematic Image
23
The First Portraits
30
Image and Portrait in Roman Culture and Religion
35
The Invisible God in the Fourth Century
103
The Anthropomorphite Controversy
108
Augustine and the Problem of the Invisible God
109
Portrayals of God and the Trinity in Visual Art of the Third and Fourth Centuries
115
Portraits of the Incarnate One
131
Traditions and Legends regarding Jesus Appearance
134
Jesus Variant and Changing Appearances in Literary Sources
139
Jesus Variant and Changing Appearances in Art
142

Idealization versus Realism in Roman Portraiture
37
The SaviorType and the Philosopher
42
Funerary Portraits
44
Portraits and PresenceThe Image of the Emperor
51
The Images of the Gods
59
The Invisible God and the Visible Image
69
Refutation of Idols and Divine Theophanies
71
The Unity of God against the Gnostics
74
The Dignity of the Incarnation and the Distinction of the Persons of the Trinity
77
Philosophical Aniconism and the Futility of Idols
81
Ancient Roman Precedents for Christian Aniconism
83
The Philosophical Argument in the First Four Centuries CE
86
FirstCentury and Early Rabbinic Teachings on the Invisible God
89
Salvific Vision Seeing God and Living
91
Seeing the Divine in the Fourth and Early Fifth Centuries
101
The Beautiful Youth
146
The Bearded Type
154
Christology and the Image of Christ in Ravenna
159
The Transfigured Christ and the Two Natures Controversy
165
Christology Salvation and the Role of the Image
170
Early Portraits of the Saints and the Question of Likeness
173
Descriptions of Saints Portraits in Literary Documents
179
Specific Examples of Holy Portraits
186
Conclusion
196
Notes
201
Glossary
223
Select Bibliography
225
Index
231
Droits d'auteur

Autres éditions - Tout afficher

Expressions et termes fréquents

Informations bibliographiques