Avant-garde Photography in Germany, 1919-1939 |
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advertising aesthetic artist Assistant attitude Bauhaus became began Berlin Born California called camera Collection Cologne concept continued convey Courtesy Courtesy Galerie created developed Director early elements Essen exhibition experience Extended face fashion feeling Film und Foto Folkwang formal forms Gallery gave gelatin silver print Germany Germany Died graphic graphs ideas images important included industrial influence innovative Institute interest Italy journalism later light lives magazine major means medium ments Modern Art Moholy Moholy's moved movement Munich Museum of Modern nature negatives objective opened organized painter painting Paris period photogram photographs play portraits possibilities present published qualities raphy reality record Renger-Patzsch San Francisco Museum Sander seen sense served shadows society studied subjects taken taught teacher technical techniques tion took University Untitled vision Washington Werkbund Werner World York