Voices in the Shadows: Women and Verbal Art in Serbia and Bosnia

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Central European University Press, Jan 1, 2000 - Literary Criticism - 281 pages
The first complete literary history in relation to women's writing in south-east Europe. The author provides a broad chronological account of this contribution, dividing the book into two main parts; the earlier period up until the eighteenth century concentrates on the projections of gender through the medium of oral tradition and the lives of a handful of educated women in medieval Serbia and the few works of literature they left. Hawkesworth also looks at the written literature produced by women, first in the mid-nineteenth century and then at the turn of the century. The second part focuses on the trials and tribulations that affected feminism and women's literature throughout the twentieth century. The author finishes by highlighting the new women's movement, 1975-1990, a great period for women in Yugoslavia which created a stimulating atmosphere for outstanding pieces of women's journalism, prose and verse, culminating in the creation of new women's studies courses in many universities.
 

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Contents

Cultural Baggage
15
Womens Contribution to the Oral Tradition
31
Womens Voices in the Middle Age
61
The Nineteenth Century
87
The Turn of the Century New Opportunities 19001914
121
Between the Two World Wars Modernization
157
The Second Yugoslavia 19451991
193
Womens Writing in Bosnia Herzegovina
241
Conclusion
266
Bibliography
271
Index
277
Copyright

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Page 27 - At the end of the sixth, and beginning of the seventh century, there was another female reign.
Page 20 - This is why its ultimate significance cannot be grasped in the analysis either of the technique of its composition or of the diverse historical sources of its social concepts, motifs, and themes. For a song about fighting is not the same thing as fighting or even as the recording of an actual response...

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About the author (2000)

Celia Hawkesworth taught Serbian and Croatian language and literature at the University of London for many years. She now works as a freelance writer and translator. Her long involvement with the language and culture of the region began with her first visit to Zagreb in 1955.

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