The Cambridge Companion to Ravel
Cambridge University Press, Aug 24, 2000 - Music - 294 pages
This Companion provides a comprehensive introduction to the life, music and compositional aesthetic of French composer Maurice Ravel (1875–1937). Leading international scholars offer a powerful reassessment of this most private and elusive musician, examining his work in detail within its cultural context. Supported by many music examples, the volume explores the full range of Ravel's work - piano repertory, chamber works, orchestral music, ballets, songs and operas - and makes illuminating comparisons with the music of Couperin, Gounod, Chabrier and Debussy. The essays present the latest research focusing on topics such as Ravel's exoticism and Spanishness and conclude by analysing the performance and reception of his music, including previously untranslated reviews. Marking the 125th anniversary of Ravel's birth, the Companion as a whole aims to secure a solid foundation for Ravel studies in the twenty-first century and will appeal to all enthusiasts and students of his music.
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appoggiatura ballet bars bass bitonality Bolero Chabrier Chansons madecasses Chapter chord chromatic Colette composer composition Concerto in G dance Darius Milhaud Debussy Debussy's Example exotic exoticism Faure final flamenco flute Gaspard Gibet glissandos Habanera harmonic Histoires naturelles I'Oye Jane Bathori jazz Jeux d'eau L'Enfant L'Heure espagnole machine major Mallarme Manuel Rosenthal Marguerite Long Maurice Ravel Mawer melody Menuet Menuet antique metre Milhaud minor Miroirs modality motive movement Musique Neoclassicism octatonic opening opera orchestral Orenstein ostinato Paris Performers Auspices/venue Date Perlemuter pianist piece piece's Pierre Lalo play premiere quaver Rapsodie espagnole Ravel Remembered Ravel's music recapitulation recording Revue musicale rhythm rhythmic Roger Nichols Satie score semitone seventh Sheherazade solo Sonata for Violin sonata form Sonatine songs sortileges Spanish Stephane Mallarme Stravinsky String Quartet style suggests tempo texture theme tion Tombeau de Couperin tonality tonic Trois poemes Valses nobles Violin and Piano vocal whole-tone