A Chance Meeting: Intertwined Lives of American Writers and Artists, 1854-1967

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Random House Publishing Group, Mar 9, 2004 - Biography & Autobiography - 384 pages
“They met in ordinary ways,” writes Rachel Cohen in her introduction, “a careful arrangement after long admiration, a friend’s casual introduction, or because they both just happened to be standing near the drinks. . . . They talked to each other for a few hours or for forty years, and later it seemed to them impossible that they could have missed each other.”

Each chapter of this inventive consideration of American culture evokes an actual meeting between two historical figures. In 1854, Henry James, as a boy, goes with his father to have a daguerreotype made by Mathew Brady and is captured in a moment of self-consciousness about being American. Brady returns to photograph Walt Whitman and, later, at City Point in the midst of the Civil War, Ulysses S. Grant. Meanwhile, Henry James begins a lasting friendship with William Dean Howells, and also meets Sarah Orne Jewett, who in turn is a mentor to Willa Cather. Mark Twain publishes Grant’s memoirs; W.E.B. Du Bois and his professor William James visit the young Helen Keller; and Edward Steichen and Alfred Stieglitz argue about photography. Later, Carl Van Vechten and Gertrude Stein, who was also a student of William James’s, attend a performance of The Rite of Spring; Hart Crane goes out on the town with Charlie Chaplin; Langston Hughes and Zora Neale Hurston write a play together; Elizabeth Bishop takes Marianne Moore, who was photographed by both Van Vechten and Richard Avedon, to the circus; Avedon and James Baldwin collaborate on a book; John Cage and Marcel Duchamp play chess; and Norman Mailer and Robert Lowell march on the Pentagon in the anti–Vietnam War demonstration of 1967. The accumulation of these pairings draws the reader into the mysterious process through which creativity has been sparked and passed on among iconoclastic American writers and artists.

Ultimately, Rachel Cohen reveals a long chain of friendship, rebellion, and influence stretching from the moment just before the Civil War through a century that had a profound effect on our own time. Drawing on a decade of research, A Chance Meeting makes its own illuminating contribution to the tradition of which Cohen writes.
 

Contents

Henry James and Mathew Brady
3
William Dean Howells and Annie Adams Fields and Walt Whitman
11
Mathew Brady and Ulysses S Grant
24
William Dean Howells and Henry James
33
Walt Whitman and Mathew Brady
42
Mark Twain and William Dean Howells
48
Mark Twain and Ulysses S Grant
58
W E B Du Bois and William James
66
Hart Crane and Katherine Anne Porter
189
Elizabeth Bishop and Marianne Moore
196
Zora Neale Hurston and Carl Van Vechten
204
Joseph Cornell and Marcel Duchamp
213
Beauford Delaney and James Baldwin
220
Joseph Cornell and Marianne Moore
229
James Baldwin and Norman Mailer
236
Robert Lowell and Elizabeth Bishop
245

Gertrude Stein and William James
72
Henry James and Annie Adams Fields and Sarah Orne Jewett
81
Edward Steichen and Alfred Stieglitz
91
Willa Cather and Mark Twain
101
Willa Cather and Annie Adams Fields and Sarah Orne Jewett
108
Edward Steichen and Alfred Stieglitz and Gertrude Stein
116
Carl Van Vechten and Gertrude Stein
122
Marcel Duchamp and Alfred Stieglitz
134
Willa Cather and Edward Steichen and Katherine Anne Porter
140
Alfred Stieglitz and Hart Crane
150
Hart Crane and Charlie Chaplin
159
Langston Hughes and Zora Neale Hurston
168
Beauford Delaney and W E B Du Bois
182
John Cage and Richard Avedon
256
W E B Du Bois and Charlie Chaplin
264
Langston Hughes and Carl Van Vechten and Richard Avedon
272
Richard Avedon and James Baldwin
281
Marianne Moore and Norman Mailer
290
John Cage and Marcel Duchamp
297
Norman Mailer and Robert Lowell
304
ACKNOWLEDGMENTS
311
NOTES
313
BIBLIOGRAPHY
331
INDEX
347
Copyright

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About the author (2004)

RACHEL COHEN grew up in Ann Arbor, Michigan, and graduated from Harvard. She has written for The New Yorker, The Threepenny Review, McSweeney’s, and other publications. Her essays appeared in Best American Essays 2003 and the 2003 Pushcart Anthology. Cohen has received fellowships from the New York Foundation for the Arts and the MacDowell Colony, and won the 2003 PEN/Jerard Fund Award for the manuscript of A Chance Meeting. She teaches at Sarah Lawrence College and lives in Brooklyn.

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