The Pear Stories: Cognitive, Cultural and Linguistic Aspects of Narrative Production |
Contents
The Deployment of Consciousness in the Production of a Narrative | 9 |
Why Does Language Have Sentences? | 20 |
Discrepancies Between Intonational and Syntactic Closure | 29 |
Copyright | |
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Common terms and phrases
A-nd ambiguity American apron basic level basket of pears bicycle boy bicycle thief Bike Boy center of interest Chafe character Chicano clause subject cognitive comes conceptual material consciousness context definite article definite initial mentions descriptive mode discourse mode discourse units ellipsis ellipted English and Japanese expressed extraction factors focus focuses following example frame girl goat going Greek idea units identifiable indefinite mentions individual inexplicit introduced Japanese narratives Japanese speakers ladder language larger chunk lexeme lexical linguistic looks minichunk narrative mode narrators nominal reference nonreferential mentions noun phrases object occur Okay otoko paddle Paddleball Boy passive voice pear tree pear-picking percent picking pears picking the pears prior activation pronominal pronouns referential choices referential forms relative clause riding road rock salience scene seems sentence boundaries sort strategy subchunking switch reference syntactic there's three boys three pears Threesome verb verbalization walking zero-form