Gurudev's Drumming Legacy: Music, Theory, and Nationalism in the Mr̥daṅg Aur Tabla Vādanpaddhati of Gurudev Patwardhan
Gurudev's work offers us a window onto the musical past, and we would do well to investigate the clues it presents to a theory and practice that has since changed in many significant ways.
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Music Theory and Nationalism in the Mrdang aur Table
Gurudev Paluskar and the History and Context of
Vinayakrao and the MrdangTabla Vadanpaddhati
The Structure Contents and Language of the Editions
Hindustani Rhythmic Theory
Gurudevs Rhythmic Theory
Vinayakraos Rhythmic Theory
Badld hud thekd Bakhle bols cdrtdl clap closed stroke cycle dddrd Delhi Deodhar dhā dha dha dha kl dha tin klta dhi na dhim dhin dhiri dhlii dhln dhlri dhrupad drum duration gadl Gandharva Mahavidyalaya Gatparan ghl na dha ghlda naga Gurudev Hindu Hindustani music index finger Jl Jl Jl kata Khan khaydl khdli kl ta dha klda klta taka laghu Lahore Marathi matras matrds Maula Bakhsh's mdtras mdtrds metric Miraj Mohra Mohrd mrdang MTVP musicians naka notation system O O O pakhdvaj Pandit Vishnu patterns Patwardhan phrase played qdida reld repertoire rhythm right hand right head S S S S Sanskrit Sdth structure syllables symbol Tabla tabld talis tdla tdli tempo thdp theka thekd tihdi tintdl tiri kita tita tlrl klta tlta trka vilambit vilambit lay Vinayakrao Vishnu Digambar Vishnu Digambar Paluskar