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Performing the Queer Space of Exile in Valeska Gerts
Fairy Tales and Clowning in the Work
Memories of the Holocaust in the Work
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abstraction aesthetic aﬁer American dance American modem dance audience Ausdruckstanz autobiographical ballet balletmaster became Beggar Beggar’s Bar Berlin Bettlerbar body cabaret career Charles Weidman choreographers created critics cultural dance history deﬁning deﬁnition Doris Humphrey emigrated Erika Erika Mann exiled dancers expression fairy godmother female feminist ﬁgure ﬁlm ﬁnally ﬁnd ﬁnger ﬁrst ﬂoor gender German German and American Gert’s girl Goslar’s Pantomime Circus Gret Palucca Hanya Holm Hexe Holocaust identity included inﬂuence Interview Isadora Duncan Jan Karski Jewish Katze von Kampen leﬁ Liz Lerman Lotte Goslar Lotte Goslar’s Pantomime Mann Martha Graham Mary Wigman memory modemist dance modern modernist mother movement narrative Nazi oﬁen Palucca parody performance Pola Nirenska political postmemory Provincetown reﬂected representations of women retum return to Germany Rudolf Laban shiﬁ signiﬁcant Simmons solo dance space stage studies theatrical United Valeska Gert What’s So Funny Wigman School woman women artists writes Wyrrick York young