Crossing the Borders of German and American Modernism: Exile and Transnationalism in the Dance Works of Valeska Gert, Lotte Goslar, and Pola Nirenska |
Contents
Cabaret | 37 |
Fairy Tales and Clowning in the Work | 79 |
Memories of the Holocaust in the Work | 113 |
Copyright | |
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Common terms and phrases
abstraction aesthetic American dance American modern dance audience Ausdruckstanz autobiographical ballet balletmaster became Beggar Beggar's Bar Berlin Bettlerbar body cabaret career choreographers created critics cultural dance history death Die Bettlerbar Doris Humphrey emigrated Erika Erika Mann Europe exiled dancers Exits expression fairy godmother female feminist Franko gender German and American girl Goslar's Pantomime Circus Gret Palucca Hanya Holm Hexe historians Holocaust identity included Interview Isadora Duncan Jan Karski Jewish Karski Katze von Kampen Lerman n.p. Liz Lerman Lotte Goslar Lotte Goslar's Pantomime Mann Martha Graham Mary Wigman memory modern dance modernist dance mother movement narrative Nazi onstage Palucca parody Peppermill Theatre performance Pola Nirenska political postmemory Prevots Provincetown representations of women return to Germany Rima Faber Rudolf Laban sexual Simmons solo dance space spite stage studies technique theatrical United Valeska Gert What's So Funny Wigman School women artists writes wrote Wyrrick York