Fairfield Porter: Art in Its Own Terms : Selected Criticism, 1935-1975 |
From inside the book
Results 1-3 of 35
Page 55
... non - objective painting and the European abstraction that preceded it , and also between American non - objective painting and the contemporary Eu- ropean painting that resembles it . Non - objective European painting still either ...
... non - objective painting and the European abstraction that preceded it , and also between American non - objective painting and the contemporary Eu- ropean painting that resembles it . Non - objective European painting still either ...
Page 71
... painting as painting , and that its particular content and relation to history are secondary . And partly because it is ahead of criticism , I believe that it is in a pro- found way traditional . Non - objective painting shows the state ...
... painting as painting , and that its particular content and relation to history are secondary . And partly because it is ahead of criticism , I believe that it is in a pro- found way traditional . Non - objective painting shows the state ...
Page 249
Art in Its Own Terms : Selected Criticism, 1935-1975 Fairfield Porter Rackstraw Downes. Class Content in American Abstract Painting [ 1962 ] In international exhibitions of non - objective painting one notices a difference between the ...
Art in Its Own Terms : Selected Criticism, 1935-1975 Fairfield Porter Rackstraw Downes. Class Content in American Abstract Painting [ 1962 ] In international exhibitions of non - objective painting one notices a difference between the ...
Common terms and phrases
abstract painting aesthetic Alex Katz Alfred Leslie American painting architecture Armory Show art criticism artistic perception ARTnews attention Bauhaus beautiful believe Bonnard century Cézanne Cézanne's color contour Cubism Degas drawing Eakins Elaine de Kooning emotion exhibition existence experience expressed Expressionism Fairfield Porter figure formal French Gallery Giacometti Greek human idea Impressionism Impressionists intellectual interest Italian James Schuyler Jane Freilicher Jasper Johns John Kooning Kooning's landscape light logic look material Matisse matter means medium modern art Mondrian murals Museum nature ness non-objective painting object Oil on canvas organized original painters partly Photo courtesy photographs Picasso poet portrait present realist reality Review revolution Richard Stankiewicz Rothko Sargent scientific sculpture seems sense separate social society space surface tactile texture things thought tion tradition ture Vuillard watercolors Whistler whole Willem de Kooning workers York School