Debussy and the Fragment
Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussy's scores and finds convincing correlations in this chiasmatic crossover.
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aphorisms arabesque artist Aurélia beginning cahier d’esquisses Cambridge Canope century Cervantes Chansons de Bilitis Chapter Chopin chord Claude Debussy collection complete compositional convention create Debussy’s Debussy’s music Debussy’s setting Diderot digressive narrative Don Quixote Éditions Gallimard epigraph Essais F-sharp Firchow French Friedrich Schlegel’s Lucinde function G-flat major Gargantua Genette genre Gérard de Nerval Green grotesque grotto harmonic Harries hoax Howat Ibéria incomplete interpretation interruption Isidore of Seville Kallberg Kenshur L’Après-midi d’un faune literary fragments literature Louÿs Lucinde Mallarmé manuscript memory minor Montaigne motive Nerval nineteenth-century notes novel Nuages Oeuvres complètes opening opera paintings Paratexts Paris Pelléas et Mélisande perhaps Petrarch piano pieces Pierre Louÿs poet poet’s poetry progression prosimetrum published quotation quoted Rabelais Rabelais’s reader Romanticism Rosen ruins scene Schlegel Schumann sketch sketchbook song Spleen story structure Symbolism Symbolist tonal tonic trans translation University Press Vallas Verlaine’s Wenk writes