Ceramic Art: Comment and Review, 1882-1977 : an Anthology of Writings on Modern Ceramic ArtGarth Clark |
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Page 169
... Arneson , and “ one after- noon in early September of 1961 while demonstrating pottery techniques at the California ... Arneson's work has made its mark and had its influence . His art manifests preoccupation with ideas : objects as ...
... Arneson , and “ one after- noon in early September of 1961 while demonstrating pottery techniques at the California ... Arneson's work has made its mark and had its influence . His art manifests preoccupation with ideas : objects as ...
Page 178
... Arneson . Arneson carved out his own territory at U.C. Davis , which soon was to become a breeding ground for some of the rougher forms of Funk . Among other nonformalists there at one time or another have been painters Roy de Forest ...
... Arneson . Arneson carved out his own territory at U.C. Davis , which soon was to become a breeding ground for some of the rougher forms of Funk . Among other nonformalists there at one time or another have been painters Roy de Forest ...
Page 180
... Arneson , Dennis Adrian ( Art in America , September 1974 ) discussed the closed - minded- ness often encountered in " the English - speaking / thinking audience , " which tends to interpret the pun ( Arneson's favorite rhetorical ...
... Arneson , Dennis Adrian ( Art in America , September 1974 ) discussed the closed - minded- ness often encountered in " the English - speaking / thinking audience , " which tends to interpret the pun ( Arneson's favorite rhetorical ...
Contents
The Revival of the Art of Faïence Painting | 28 |
The Potters Art | 45 |
The AngloOriental Influence | 57 |
Copyright | |
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Abstract Expressionism Abstract Expressionist achieved aesthetic Angeles Arneson artists attitude beauty Bernard Leach bowls Buddha Buddhist California called Carriès century ceramic art ceramic sculpture ceramists China Chinese clay Collection Fred color contemporary Courtesy Craft Horizons craftsman created creative culture cups decoration Delaherche earthenware England English earthenware essay exhibition experience expression Faber faïence Faïence Painting firing Fred and Mary function Gallery Garth Clark glazes hand ideas individual potter industry Japan Japanese Joseph Monsen kiln Leach Pottery lesser arts living London low-fire manufacture Mary Marer material means Michael Cardew Museum of Art Nagle nature objects oriental ornament painters Palissy Paul Soldner Peter Voulkos Photograph piece plastic Plate porcelain produced qualities Robert Arneson San Francisco sculpture sense shapes Shoji Hamada slipware stoneware studio potters style Sung Super Object surface technique things throwing tion tradition ugly vase vessel vitality Voulkos's ware wheel York