Ceramic Art: Comment and Review, 1882-1977 : an Anthology of Writings on Modern Ceramic ArtGarth Clark |
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Page 173
... expression . Forms and colors for their very natures or for symbolic connotations are utilized in these intensely colored pieces , fabri- cated to appear like production ware , with little trace of the artist's hand evident . Howard ...
... expression . Forms and colors for their very natures or for symbolic connotations are utilized in these intensely colored pieces , fabri- cated to appear like production ware , with little trace of the artist's hand evident . Howard ...
Page 186
... expression and accommodation to changing ideas . Therefore , though a new style may attract the public spotlight for a time , numerous artists will continue to find valid expression of their sentiment within the " old " style . The ...
... expression and accommodation to changing ideas . Therefore , though a new style may attract the public spotlight for a time , numerous artists will continue to find valid expression of their sentiment within the " old " style . The ...
Page 187
... expression , and with it the great diversity that exists in the field of ceramics today . Nevertheless , an awareness of styles , or some common attitudes , can be of help in understanding what the artist is trying to achieve . Art ...
... expression , and with it the great diversity that exists in the field of ceramics today . Nevertheless , an awareness of styles , or some common attitudes , can be of help in understanding what the artist is trying to achieve . Art ...
Contents
The Revival of the Art of Faïence Painting | 28 |
The Potters Art | 45 |
II The AngloOriental Influence | 57 |
Copyright | |
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Abstract Expressionism Abstract Expressionist achieved aesthetic Angeles Arneson artists attitude beauty Bernard Leach bowls Buddha Buddhist California called Carriès century ceramic art ceramic sculpture ceramists China Chinese clay Collection Fred color contemporary Courtesy Craft Horizons craftsman created creative culture cups decoration Delaherche earthenware England English earthenware essay exhibition experience expression Faber faïence Faïence Painting firing Fred and Mary function Gallery Garth Clark glazes hand ideas individual potter industry Japan Japanese Joseph Monsen kiln Leach Pottery lesser arts living London low-fire manufacture Mary Marer material means Michael Cardew Museum of Art Nagle nature objects oriental ornament painters Palissy Paul Soldner Peter Voulkos Photograph piece plastic Plate porcelain produced qualities Robert Arneson San Francisco sculpture sense shapes Shoji Hamada slipware stoneware studio potters style Sung Super Object surface technique things throwing tion tradition ugly vase vessel vitality Voulkos's ware wheel York