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THE IMMEDIATE STAGES OF THE EROTIC OR
THE ANCIENT TRAGICAL MOTIF AS REFLECTED IN
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absolute absolutely musical accidental aesthetic aestheticians Antigone appears aria aunt beautiful becomes believe belongs boredom Charles Clavigo comes comic constantly Cordelia dare deceiver deception Derviere desire Don Juan Either/Or Elvira Emmeline engagement erotic essential eternal everything expression eyes fact faithless Faust fear feel feminine forget Frederiksberg Park give Goethe Greek guilt hand happy hear heart Hegel Hence hope idea imagine individual infinite interest Juan's Kierkegaard kiss language Leporello lives look marriage means medium ment Moliere mood Mozart nature never object occasion opera pain pantheism passion perhaps Philoctetes play poet poetic possible present reader reality reflective grief regard relation rest Rinville secret seducer sense sensuous side significance situation sometimes sorrow soul speech spirit stands talk thing thought Thy Johannes tion tragedy tragic true understand unhappiest unhappy whole wish woman word young girl