Philosophy As Fiction : Self, Deception, and Knowledge in Proust: Self, Deception, and Knowledge in Proust
Oxford University Press, USA, 21 juil. 2004 - 266 pages
Philosophy as Fiction seeks to account for the peculiar power of philosophical literature by taking as its case study the paradigmatic generic hybrid of the twentieth century, Marcel Proust's In Search of Lost Time. At once philosophical--in that it presents claims, and even deploys arguments concerning such traditionally philosophical issues as knowledge, self-deception, selfhood, love, friendship, and art--and literary, in that its situations are imaginary and its stylization inescapably prominent, Proust's novel presents us with a conundrum. How should it be read? Can the two discursive structures co-exist, or must philosophy inevitably undermine literature (by sapping the narrative of its vitality) and literature undermine philosophy (by placing its claims in the mouth of an often unreliable narrator)? In the case of Proust at least, the result is greater than the sum of its parts. Not only can a coherent, distinctive philosophical system be extracted from the Recherche, once the narrator's periodic waywardness is taken into account; not only does a powerfully original style pervade its every nook, overtly reinforcing some theories and covertly exemplifying others; but aspects of the philosophy also serve literary ends, contributing more to character than to conceptual framework. What is more, aspects of the aesthetics serve philosophical ends, enabling a reader to engage in an active manner with an alternative art of living. Unlike the "essay" Proust might have written, his novel grants us the opportunity to use it as a practice ground for cooperation among our faculties, for the careful sifting of memories, for the complex procedures involved in self-fashioning, and for the related art of self-deception. It is only because the narrator's insights do not always add up--a weakness, so long as one treats the novel as a straightforward treatise--that it can produce its training effect, a feature that turns out to be its ultimate strength.
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aesthetic Albertine Albertine’s artist autobiography Balbec believe Bergotte Bersani Bois de Boulogne chapter character Charlus claim Combray conﬂict Contre Sainte-Beuve deﬁnition Deleuze Descombes desire diachronic Elstir emphasis episode essence example fact feel ﬁction ﬁctional ﬁnal ﬁnally ﬁnd ﬁnished ﬁrst ﬂowers Genette Gérard Genette Gilberte Gilles Deleuze Guermantes homosexual human hypotaxis hypothesis idea illusion images imagination impression inﬁnite intellect intuition involuntary memory jealousy kimono laws literary madeleine Magic Lantern Malcolm Bowie Marcel Martinville steeples merely metaphors metonymic metonyphor mind Morel narrative narrator narrator’s never Nietzsche Nietzsche’s objective truth Odette oeuvre one’s optical illusions perhaps person perspective philosophical prose poem protagonist Proust Proust’s novel Proustian Rachel reader reality reason Recherche reﬂection Saint-Loup Sainte-Beuve seems sentence Shattuck signiﬁcance speciﬁc subjective Swann temps theory things tion translation turn Vincent Descombes Vinteuil woman writes
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