Art & Anger: Reading Like a Woman |
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Contents
Diana of the Crossways | 20 |
Why Elizabeth Hardwick | 49 |
Reading Practice II The Socialist Critic Reads Virginia Woolf | 73 |
Copyright | |
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Adrienne Rich aesthetic Ancilla's Share anger angry argues artist attack Bell's biography Bloomsbury bogey Caroline collective Crossways culture Dalloway daughter death desire Diana Diary E. M. Forster Elizabeth Robins English essay Ethel Smyth fascism father fear feel felt female feminism feminist literary criticism fiction Forster freedom Greek Hardwick Hedda heroine Ibsen imagination intellectual Jane Leonard Woolf lesbian letters Lighthouse literary criticism literature London male Margaret Llewelyn Davies Mary Meredith mind moral mother myth novel novelist opera Oscar Oscar Wilde pacifist Pargiters passion patriarchal poets political portrait practice praise Quentin Bell radical Ramsay reader reading role Room of One's Salomé seems sexual Shakespeare sister social socialist feminist socialist feminist criticism Stephen struggle theory think back Three Guineas University Victorian Virginia Woolf voice Wilde woman women writers Women's Co-operative Guild Woolf wrote words writing York