Critical realism: history, photography, and the work of Siegfried Kracauer
A respected journalist and film critic for Frankfurter Zeitung during the Weimar period, Siegfried Kracauer worked with a more comprehensive concept of cultural modernity than did his friends Bloch, Adorno, and Benjamin. Sensitive to the postwar experience of rapid technological advances and profound cultural transformation, he emphasized the contemporary significance of the documentary imagination. Though he acknowledged that reality is a construction, its modern pluralism suggested to him modalities of objectivity rather than despair of it. In Critical Realism Dagmar Barnouw explores the connections that Kracauer stated in his last book, History, between the representational modes of photography and historiography, both of them characteristically composite and unstable. Drawing on recent developments in the history and theory of photography andhistoriography, she argues the contemporaneity of Kracauer's thought to late twentieth century cultural modernity. "This historical account of the development of one of the most complex discussions of representation in its social and cultural context will be of great interest to a wide range of readers. The debates about visual representation--whether in film or in the photograph--were and are greatly influenced by Kracauer. Barnouw's situation of these debates is sophisticated and clever. The high point of the book is her discussion of the epistemological problem of the observer. She lucidly and succinctly presents Kracauer's own views on the topic and then moves into a broader and truly brilliant discussion of this question of literary and visual modernism."--Sander L. Gilman, University of Chicago.
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Chapter Two Contemporaneity and the Concept of History
Chapter Three Representation as Reclamation
Chapter Four The Shapes of Objectivity
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Critical Realism: History, Photography, and the Work of Siegfried Kracauer
No preview available - 1994
abstract Adorno Albert Renger-Patzsch Angestellten anteroom argued argument artistic August Sander Benjamin Bloch Caligari camera cauer chap Charles Sheeler cinematic clearly composite concept concerned concrete construction contemporary context critical critique cultural developed Dialectic Dialectic of Enlightenment difficult documentary Dorothea Lange Edward Weston epistemological essay exile experience explicitly fact filmic Frankfurter Zeitung gelatin silver German hermeneutic historian historical understanding historiography Horkheimer human Husserl's important interest interpretation Jacques Offenbach knowledge Kracauer papers language Leo Lowenthal Loewith Lowenthal Lukacs meanings medium modern nature objectivity observer past Paul Strand perspective philosophical photo images photographer's photographic political position potential precisely present problems question quoted reader realistic reflected representation Schutz sense shaped shared Sheeler Siegfried Kracauer significance social story Suhrkamp temporality texts Theory of Film things thought tion tive truth University Press viewer visible visual Voegelin Walker Evans Weimar Intellectuals Weimar period Weston writing