| 1765 - 600 strani
...understanding pronounces to be falfe. It is falfe, that any reprefentation is miftaken for reality j that any dramatic fable in its materiality was ever credible, or, for a jingle moment, was ever credited. ' The objection arifi.ng.from the impoffibility of pafllng the firff... | |
| Vicesimus Knox - 1790 - 1058 strani
...into words, his undcrftanding pronounces to be falfe. It is falfe, tnat any reprefentation is miftaken for reality ; that any dramatic fable, in its materiality, was ever credible, or, for a ungle moment, was ever credited. The objection arifing from the impoffibility of paffing the firft... | |
| 1793 - 620 strani
...words, his underftanding pronounces to be be fatfe. It is falfe, that any reprefentation is miltaken for reality ; that any dramatic fable in its materiality was ever credible, or for a fingle moment was ever credited. The objection arifing from the ïmpoifibility of paffing the firft... | |
| 1802 - 630 strani
...words, bis underllanding pronounces to be falfe. It is l'allé, that any reprefen tation is millaken for reality; that any dramatic fable in its materiality was ever credible, or for a lîngle moment was ever credited. The objection arifing from the impoííibility ot" palling the ririt... | |
| William Shakespeare - 1803 - 494 strani
...pronounces to be false. It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
| William Shakespeare - 1804 - 256 strani
...into words, his understanding pronounces to be false. It is faUe, that any representation is taken for reality ; that any dramatic fable, in its materiality, was ever credible, pr for a single moment was ever credited. " It will be asked how the drama moves, if it is not credited... | |
| Samuel Johnson - 1806 - 376 strani
...pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
| William Shakespeare - 1806 - 394 strani
...pronounces io be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality •was ever credible, or, for a single moment, was ever •credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
| Samuel Johnson - 1809 - 488 strani
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for...credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
| William Shakespeare - 1809 - 390 strani
...pronounces to be false. It is folse, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited, The objection arising from the impossibility of passing the first hour at Alexandria, and the next... | |
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