Wood Sculpture |
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Page xxii
Hast1ngs (G.) : Siena, its Architecture and Art. 1901. Heffner-Alteneck (J. v.):
Costumes . . . œuvres d art du moyen âge. 1 840-54. He1ss (A.) : Les médailleurs
de la renaissance. 1881-92. Helb1g (J.) : Hist, de la sculpt, et des arts plastiques
à ...
Hast1ngs (G.) : Siena, its Architecture and Art. 1901. Heffner-Alteneck (J. v.):
Costumes . . . œuvres d art du moyen âge. 1 840-54. He1ss (A.) : Les médailleurs
de la renaissance. 1881-92. Helb1g (J.) : Hist, de la sculpt, et des arts plastiques
à ...
Page 24
longer confined to a uniform system of long, straight, and narrow folds, but the
sacred personages begin to wear an approximation at least to the costume of the
period which the artist had daily before his eyes — this, of course, except in the ...
longer confined to a uniform system of long, straight, and narrow folds, but the
sacred personages begin to wear an approximation at least to the costume of the
period which the artist had daily before his eyes — this, of course, except in the ...
Page 49
A remarkable portrait statuette of a man in the hunting costume of the time of
Louis x111. is important from its absolute naturalism, for although it is said to
represent St. Hubert, or even St. George, there appears to be not the smallest
trace of ...
A remarkable portrait statuette of a man in the hunting costume of the time of
Louis x111. is important from its absolute naturalism, for although it is said to
represent St. Hubert, or even St. George, there appears to be not the smallest
trace of ...
Page 57
Virgins and martyrs, the Saint Catherines, Magdalens, and Margarets are
presented to us in the holiest of scenes as ladies of fashion in the richest
costumes : patriarchs and with the best Franconian apostles are in the dress of
the period.
Virgins and martyrs, the Saint Catherines, Magdalens, and Margarets are
presented to us in the holiest of scenes as ladies of fashion in the richest
costumes : patriarchs and with the best Franconian apostles are in the dress of
the period.
Page 72
The first-named is an instructive example of the preservation of types, for though,
without doubt, work of the end of the fifteenth century — perhaps by Maitre Devis
or Jan van Connix- loo — the costumes and architectural style are of a century ...
The first-named is an instructive example of the preservation of types, for though,
without doubt, work of the end of the fifteenth century — perhaps by Maitre Devis
or Jan van Connix- loo — the costumes and architectural style are of a century ...
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admirable Albert Museum altar altarpieces Amiens amongst angels architectural artist Atherington Bavarian National Museum beautiful bench-ends boxwood busts canopy carved carvers cathedral character charming chests choir church collection colour considerable costumes Creglingen crucifix decoration Devon Diirer Donatello doubt draperies earlier earliest early effigies England English evidence examples execution existing fifteenth century Flanders Flemish foliage fourteenth century France French furniture German gilded Gothic Gothic art Haguenauer hand head illustrations images influence interest Italian Italy ivory Jacopo della Quercia Kensington kind later Louvre Madonna master medallions mediaeval misericords models monument nature Niirnberg Nino Pisano origin ornament painted painter panels parish perhaps period Plate portrait relief remarkable Renaissance retables Riemenschneider rood rood-screen Saint screens sculpture in wood sixteenth stalls statuettes stone style Suabian taste thirteenth century tion twelfth century Veit Stoss Victoria and Albert Virgin wood sculpture wood-carving
Bibliographic information
| Title | Wood Sculpture The Connoisseur's library |
| Author | Alfred Maskell |
| Publisher | Methuen, 1911 |
| Original from | the University of California |
| Digitized | Sep 1, 2010 |
| Length | 425 pages |
| Export Citation | BiBTeX EndNote RefMan |