Wood Sculpture |
From inside the book
Results 1-5 of 47
Page xxii
Costumes . . . Quvres d ' art du moyen âge . 1840 - 54 . Heiss ( A . ) : Les
médailleurs de la renaissance . 1881 - 92 . HELBIG ( J . ) : Hist . de la sculpt . et
des arts plastiques à : Liége . HEMS ( H . ) : Rood and other Screens in
Devonshire .
Costumes . . . Quvres d ' art du moyen âge . 1840 - 54 . Heiss ( A . ) : Les
médailleurs de la renaissance . 1881 - 92 . HELBIG ( J . ) : Hist . de la sculpt . et
des arts plastiques à : Liége . HEMS ( H . ) : Rood and other Screens in
Devonshire .
Page 24
longer confined to a uniform system of long , straight , and narrow folds , but the
sacred personages begin to wear an approximation at least to the costume of the
period which the artist had daily before his eyes — this , of course , except in the
...
longer confined to a uniform system of long , straight , and narrow folds , but the
sacred personages begin to wear an approximation at least to the costume of the
period which the artist had daily before his eyes — this , of course , except in the
...
Page 48
A remarkable portrait statuette of a man in the hunting costume of the time of
Louis XIII . is important from its absolute naturalism , for although it is said to
represent St . Hubert , or even St . George , there appears to be not the smallest
trace of ...
A remarkable portrait statuette of a man in the hunting costume of the time of
Louis XIII . is important from its absolute naturalism , for although it is said to
represent St . Hubert , or even St . George , there appears to be not the smallest
trace of ...
Page 57
Virgins and martyrs , the Saint Catherines , Magdalens , and Margarets are
presented to us in the holiest of scenes as ladies of fashion in the richest
costumes : patriarchs and apostles are in the dress of the period . In 57
FLANDERS.
Virgins and martyrs , the Saint Catherines , Magdalens , and Margarets are
presented to us in the holiest of scenes as ladies of fashion in the richest
costumes : patriarchs and apostles are in the dress of the period . In 57
FLANDERS.
Page 70
The first - named is an instructive example of the preservation of types , for
though , without doubt , work of the end of the fifteenth century — perhaps by
Maître Devis or Jan van Connixloo - - the costumes and architectural style are of
a century ...
The first - named is an instructive example of the preservation of types , for
though , without doubt , work of the end of the fifteenth century — perhaps by
Maître Devis or Jan van Connixloo - - the costumes and architectural style are of
a century ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
admirable Albert already altarpieces amongst architectural artist attention attributed beautiful boxwood busts called carved cathedral character choir church collection colour complete consider considerable course crucifix decoration doubt drapery earlier early England English entirely especially evidence example execution existing expression face fashion feeling fifteenth century figures Flemish followed fourteenth France French German Gothic Gothic art hand head idea illustrations important influence interest Italian Italy ivory kind known late later least less Madonna manner master material medallions methods models Museum nature notice Nürnberg origin ornament painted painter panels perhaps period piece Plate portrait possesses present probably question reference relief remains remarkable Renaissance represented retables Riemenschneider sculpture side similar sixteenth Spanish stalls statuettes stone Stoss style suggestion thirteenth tion Virgin whole wood wood-carving
Bibliographic information
| Title | Wood Sculpture Connoisseur's library |
| Author | Alfred Maskell |
| Publisher | Methuen, 1911 |
| Original from | the University of California |
| Digitized | Sep 1, 2010 |
| Length | 425 pages |
| Export Citation | BiBTeX EndNote RefMan |