War and Cinema: The Logistics of PerceptionReveals the convergence of perception and destruction in the parallel technologies of warfare and cinema. |
Contents
Military Force Is Based upon Deception | 7 |
Cinema Isnt I See Its I | 15 |
CHAPTER 3 | 39 |
Copyright | |
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Abel Gance actors aerial reconnaissance aeroplane aircraft Albert Speer Allied already American appears architecture army audience aviation battle battlefield became become Berlin bomb bombers British Cabiria Cahiers du cinéma camera obscura century chronophotography cinema command D.W. Griffith dimensions direct director Dr Strangelove electronic enemy equipment Ernst Jünger eyes Fern Andra field film-makers fire flying forces French Gance German Goebbels Griffith guns Hiroshima Hitler Hollywood Ibid illusion industrial infra-red invented Jack Broughton kilometres kind laser later Leni Riefenstahl light logistics London longer Lumière brothers machine mass military military-industrial million missiles move movement Nazi Nigel Calder nuclear once operation optical Paris Paul Virilio perception photographic pilot prefigured produced projectiles projection propaganda films radar radio reality screen searchlights Second World shot simulate soldiers space speed Speer star Steichen strategic studios target television theatre tion Veit Harlan Vietnam vision visual warfare weapons