Frontiers Of Folklore/hWilliam R Bascom |
Contents
Performance of Oral Narrative Harold | 54 |
Toward an EnactmentCentered Theory | 79 |
The Real and the Strange | 87 |
Copyright | |
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action activities aesthetic Aimiyekeagbon Alan Dundes analysis anthropologists artist audience basic behavior Ben-Amos Benin Benin City communication complex context coonass cultural Dan Ben-Amos Dell Hymes dimension E. M. Forster emotions enactment ethnography of speaking everyday experience expressive festivities folklorists folktales formal formance frontiers of folklore function genres Grimm brothers human Hymes I. A. Richards images individual intensive interaction involved joke kind language linguistic literary lore Malinowski mance Max Müller means ment Mityi movement myths and folktales narrator occasion oral narrative participants Paul Spiegel peasants performance perspective play question Reader's Digest reality relation relationship Richard Bauman ritual role scenes Scheub scholars self-conscious sense Shema Yisrael sings situation society song specific story storytellers study of folklore stylized symbolic forms symposium text was collected theory thieves tion tive traditional Trobriand Ture University University of Pennsylvania verbal art Xhosa