No Respect: Intellectuals and Popular CultureThe intellectual and the popular: Irving Howe and John Waters, Susan Sontag and Ethel Rosenberg, Dwight MacDonald and Bill Cosby, Amiri Baraka and Mick Jagger, Andrea Dworkin and Grace Jones, Andy Warhol and Lenny Bruce. All feature in Andrew Ross's lively history and critique of modern American culture. Andrew Ross examines how and why the cultural authority of modern intellectuals is bound up with the changing face of popular taste in America. He argues that the making of "taste" is hardly an aesthetic activity, but rather an exercise in cultural power, policing and carefully redefining social relations between classes. |
Contents
| 1 | |
Reading the Rosenberg Letters | 15 |
Containing Culture in the Cold War | 42 |
Hip and the Long Front of Color | 65 |
Candid Cameras | 102 |
Uses of Camp | 135 |
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Common terms and phrases
American Andy Warhol anti-Stalinist antiporn argued audience avant-garde bebop camp Candid Camera celebrated claims Cold commercial Communist consumer consumer capitalism consumption containment context counterculture critical critique cult cultural capital culture industries discourse domination Dwight Macdonald economy elite essay everyday example exploitation fact fantasy female feminism feminist Fiedler film groups hipster Hollywood ideology increasingly intellectuals jazz kitsch legitimate liberal literary live Macdonald male Marshall McLuhan masculinity mass culture McLuhan means middle-class movement musicians narrative Negro organized Partisan Review play pleasure political popular culture Popular Front popular taste porn pornography postwar Press production quiz show scandal radical realm relation representations respect response role Rosenbergs seen sexual sixties social society Sontag soul music spectacle star style subcultures Susan Sontag television tion traditional Univ Warhol Warshow women York