Yakṣas: Essays in the Water Cosmology
Indira Gandhi National Centre for the Arts, 1993 - Literary Criticism - 339 pages
Yaksas is the sixth in the series of the Collected Works of A. K. Coomaraswamy in the IGNCA's publication programme. Yaksas was originally published by the Freer Gallery of the Smithsonian Institution in two parts (1928 and 1931). Subsequently, Ananda Coomaraswamy rethought his topic and collected a great deal of iconographic and literary material that permitted him to reconstitute a pre-Vedic cosmology with which the Yaksas, a whole series of pre-and non-Vedic divinities, were intimately associated. In part 1, Coomaraswamy examined the origin of Yaksas in the context of Vedic, Brahmanical and Upanisadic literature, as also theories held by writers such as Fergusson and Dr. Vogel. He attempted to bring together, from literary and archaeological sources, material sufficient to present a clear picture of an even more important phase of non- and pre-Aryan preoccupation with the concept of the Yaksas and Yaksis. Coomaraswamy's thorough revisions of the early chapters of part 1 are incorporated in this edition. Coomaraswamy dealt with the interpretative levels of the artistic motif in part 2. He delved deeper to unfold the water cosmology underlying what may appear on surface as either a minor deity or tutelary God, or only an ornamental motif. He revealed that the Yaksas do not as much control the waters as mere waters but are the essence in the waters which is one with the serpent, tree or amrita or elixir of the Devas. Coomaraswamy did not restrict himself to the Indian literature on water cosmology but drew attention to many ancient cultures, e.g. those of Egypt and Iran. Through the examination of sources of water cosmology and the motifs of the Yaksas, he examined that other motif ofIndian art, namely, the Mithuna. He showed the connection between water cosmology, Yaksas, and the idea of the productive pair Mithuna to not only Varuna but also to the other motifs known to both Indian and European traditions, such as the motif of the Holy Grail and the Tree of Life. The previously unpublished part 3 completes Coomaraswamy's treatment of the Yaksas theme. The publication of this seminal critical text, with the addition of new materials previously unpublished and obtained from manuscript sources housed in the Princeton University Library, will facilitate further research and interpretation.
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Naigamesa Ganesa Hayagriva Assamukhi
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Aditi Agni altar Amaravati amrta ancient Angels Atharva Veda Bharhut Bodhisattva Brahman Buddha Buddhist Calcutta called ceiya connection Coomaraswamy cosmic cult deity devas devata divine dwarf yaksa Early Indian earth Edited elephant Elura Epic example flowers full vase gandharvas gods Grail Gupta Hariti heaven Hindu Iconography India Office photograph Indian art Indra Jain Stupa Jaina JAOS Jataka jaws Kamadeva king Kubera later legend London lotus rhizome Mahabharata makara Mathura Mithuna Mitra motif Museum Mythology nagas navel Nikaya origin Pali Prajapati Purana railing pillar rasa reference relief Religion represented Rg Veda rhizome ritual river goddesses Samhita Sculpture second century a.d. shrine Siva Soma Sri-Laksmi story Stupa Stupa of Mathura supported Sutta symbol T. W. Rhys Davids Taittiriya temple tion torana tradition Translated tree Upanisads Vajrapani Varuna Vedic vegetation Visnu Vogel vols Water Cosmology worship Yakkha yakkhini yaksa yaksis