Babylon Girls: Black Women Performers and the Shaping of the Modern

Front Cover
Duke University Press, Jan 1, 2009 - Social Science - 354 pages
0 Reviews
Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences.

Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Acknowledgments
Abbreviations for Libraries and Archives
Introduction
The Touring Picaninny Choruses
Topsy Time Torture and Transfiguration
The Performance of City and Empire on the FindeSiècle Black Burlesque Stage
The Cakewalk Business
Social Dance Segregation and the New Body
Primitivist Modernism Antimodernism and Black Chorus Line Dancers
Florence Mills Josephine Baker and Valaida Snow
Conclusion
Notes
Bibliography
Index
Copyright

Other editions - View all

Common terms and phrases

About the author (2009)

Jayna Brown is Assistant Professor of Ethnic Studies at the University of California, Riverside.

Bibliographic information