Journalism in the Movies

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University of Illinois Press, 2006 - Business & Economics - 191 pages

From cynical portrayals like The Front Page to the nuanced complexity of All the President’s Men, and The Insider, movies about journalists and journalism have been a go-to film genre since the medium's early days. Often depicted as disrespectful, hard-drinking, scandal-mongering misfits, journalists also receive Hollywood's frequent respect as an essential part of American life.

Matthew C. Ehrlich tells the story of how Hollywood has treated American journalism. Ehrlich argues that films have relentlessly played off the image of the journalist as someone who sees through lies and hypocrisy, sticks up for the little guy, and serves democracy. He also delves into the genre's always-evolving myths and dualisms to analyze the tensions—hero and oppressor, objectivity and subjectivity, truth and falsehood—that allow journalism films to examine conflicts in society at large.

 

Contents

1 Studying Journalism throught Movies
1
2 The Front Page
20
3 Screwball Comedy and Frank Capra
45
4 Citizen Kane
69
5 News in a Noir World
79
6 News and Conspiracy
106
7 Myth and Antimyth in Contemporary Film
132
8 An Unseen Power
166
Index
183
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About the author (2006)

Matthew C. Ehrlich is a professor of journalism at the University of Illinois at Urbana-Champaign. He is the author of Radio Utopia: Postwar Audio Documentary in the Public Interest.