The Oxford Handbook of Music Psychology
Susan Hallam, Ian Cross, Michael Thaut
Oxford University Press, 2009 - Psychology - 585 pages
Oxford Handbooks offer authoritative and up-to-date reviews of original research in a particular subject area. Specially commissioned chapters from leading figures in the discipline give critical examinations of the progress and direction of debates, as well as a foundation for future research. Oxford Handbooks provide scholars and graduate students with compelling new perspectives upon a wide range of subjects in the humanities, social sciences, and sciences.
The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field.
The Oxford Handbook of Music Psychology is a landmark text providing, for the first time ever, a comprehensive overview of the latest developments in this fast-growing area of research. With contributions from over fifty experts in the field, the range and depth of coverage is unequalled. All the chapters combine a solid review of the relevant literature with well-reasoned arguments and robust discussions of the major findings, as well as original insights and suggestions for future work.
Written by leading experts, the 52 chapters are divided into 11 sections covering both experimental and theoretical perspectives, each edited by an internationally recognised authority
Ten sections each present chapters that focus on specific areas of music psychology:
- the origins and functions of music
- music perception
- responses to music
- music and the brain
- musical development
- learning musical skills
- musical performance
- composition and improvisation
- the role of music in our everyday lives
- music therapy and conceptual frameworks
In each section, expert authors critically review the literature, highlight current issues, and explore possibilities for the future. The final section examines how in recent years the study of music psychology has broadened to include a range of other scientific disciplines. It considers the way that the research has developed in relation to technological advances, fostering links across the field and providing an overview of the areas where the field needs further development in the future.
The Oxford Handbook of Music Psychology will be the essential reference text for students and researchers across psychology and neuroscience.
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Universals in music processing
Music and meaning
The social and personal functions of music in crosscultural perspective
34 other sections not shown
ability absolute pitch accents acoustic activity aesthetic amusia approach auditory auditory stream behaviour Bigand brain Cambridge chapter chord cognitive complex composition context contour creativity cues cultural effects of music emotional ence entrainment etal ethnomusicology Experimental Psychology expression function Gabrielsson Hallam human improvisation individual infants influence instrument interaction interval involved jazz Journal of Music Juslin Krumhansl learning Lerdahl melodies memory ment metre metric mirror neurons motivation motor movement musi music cognition Music Education music listening Music Perception music performance music psychology music therapy musical identities musical improvisation musical preferences musical structure musical training musicians neural Neuroscience Oxford University Press patterns peak experience perceived Peretz pitch pitch space play practice processing Psychology of Music Psychophysics Research in Music responses to music rhythm rhythmic role sequences skills Sloboda social sound task temporal Thaut theory timbre tion tones Trehub York Zatorre