Expression in Pop-rock Music: A Collection of Critical and Analytical Essays
This collection of essays, written by ten leading musicologists and music theorists specializing in popular music, presents a wide range of scholarly approaches to understanding artistic expression in rock music. Covering such artists as Frank Zappa, U2, Genesis, The Cure, Tori Amos, and Sarah McLachlan, these writings provide fascinating insights into the music that are suitable for scholars, students, and popular music fans alike. Index.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Music Contexts and Meaning in U2
LargeScale Strategy and Compositional Design
JazzRock? RockJazz? Stylistic Crossover
Confessions from Blueberry Hell
Achtung Baby album analytic band band's bars Beatles Black Bono bridge cadence chord chorus chromatic classical composed concert context contrapuntal contrast criticism Crucify descending discourse discussion dissonance Dixie Dregs dominant drums Dupree's Paradise essay Example fifths Frank Zappa function fusion Genesis graph guitar solo harmonic heard instrumental jazz keyboards Killing an Arab linear listener Love Macan major McLachlan melody minor modal Moore music theory musicians neighbor notation notes opening orchestral ostinato passage pattern performance phrase piece pitch played popular music pre-chorus prog progressive rock Rattle and Hum recordings reduction relationship repeated reprise retransition rhythm rhythmic riff rock music Rykodisc Sarah McLachlan scale degree Schenkerian score singer singing sion song song's sound Steve structure style suggest Supper's Ready technique tempo texture theme timbre tion tonal tones tonic Uncle Meat University Press verse vocal voice leading voice-leading Walser York Zoo TV