Narco Cinema: Sex, Drugs, and Banda Music in Mexico’s B-Filmography

Front Cover
Springer, Apr 23, 2015 - Social Science - 196 pages

This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. He approaches its history as an alternative to mainstream representation of the drug war and considers how its vernacular aesthetic speaks to the anxieties and desires of Latina/o audiences by celebrating regional cultures while exploring the dynamics of global transition. Despite recent federal prohibitions, narco cinema endures as a popular folk art because it reflects distinctively the experiences of those uprooted by the forces of globalization and critiques those forces in ways mainstream cinema has failed.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Acknowledgments
A Sentimental Education
Two Foul Score of the Brothers Almada
Narcas y Narcos
and Narco Gays?
From Culiacán to Cannes
Works Cited

Other editions - View all

Common terms and phrases

About the author (2015)

Ryan Rashotte is an indepedent scholar based in Canada. He received his PhD from the University of Guelph, Canada.

Bibliographic information