The Unkindest CutIn February 1993, mean-spirited movie critic Joe Queenan read a newspaper article that would change the course of his life. The article described a movie called El Mariachi which supposedly had been made for a paltry $7,000. Armed with the information that someone could make a movie for a paltry $7,000, Queenan now set out to prove that anyone could make a movie for a paltry $7,000. Two years later, on a bitterly cold February evening, Queenan's film, Twelve Steps to Death, would win first prize at the First Tarrytown International Film Festival, nabbing the coveted Golden Headless Horseman Award. But before Queenan would have his night of triumph, there would be many financial, physical, and emotional disasters. A knife stabbing on the set of the film. Massive cost overruns. Sabotaged equipment. The tearful resignation of his seven-year-old son from the cast. A ruined marriage. And the consternation of his oldest, wisest, and closest friends, who questioned the wisdom of making a $7,000 film about a sociopathic Los Angeles cop whose wife and children had been killed two years earlier by a schizoid anorexic recovering alcoholic with Attention Deficit Disorder who was fleeing an abusive, chocaholic husband who used to beat her up whenever he had one too many of the nougat caramels. Yet in the end, Queenan did what he set out to do, producing a film that is without question "the most expensive $7,000 film in history". |
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... product plug in motion picture history , which we shot on Wednes- day morning . Throughout the movie I had plugged ... product plugs not because I thought they would help to sell products , but because movies that do not have blatant ...
... product plug in motion picture history , which we shot on Wednes- day morning . Throughout the movie I had plugged ... product plugs not because I thought they would help to sell products , but because movies that do not have blatant ...
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... product - plug shot one bit . Even when I explained the logic of the shot , he still hated it . My spiel ran like this : " There are some things that are bad for the film but good for the film's mythology , and there are some things ...
... product - plug shot one bit . Even when I explained the logic of the shot , he still hated it . My spiel ran like this : " There are some things that are bad for the film but good for the film's mythology , and there are some things ...
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... product plug joke worked as an anec- dote , he still wanted to make the scene redeemable in some cinematic sense . He needed a context to put this in . Eventually , he hit on one . " It's a little bit like Warhol , " he said . " Now you ...
... product plug joke worked as an anec- dote , he still wanted to make the scene redeemable in some cinematic sense . He needed a context to put this in . Eventually , he hit on one . " It's a little bit like Warhol , " he said . " Now you ...
Contents
The Pride and the Pity | 21 |
Our Crap Is Twenty Times Better than Their Crap | 36 |
Dont Get It RightGet It Written | 57 |
Copyright | |
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actors actually Amber Duggan asked Attention Deficit Disorder audience BELLINI BISHOP brother budget bunch Butch called camera cast Connie Chung Connie Chungsters cost COURTNEY crew director Don Imus door Doug DYSFUNCTIONAL PERSON editing El Mariachi equipment film film festival filmmaker footage friends fucking going Hella hype John Kenna kids knew laptop laughed lines look low-budget movie Mariachi MIGUEL Mike minutes morning motion picture Movieline murder needed neighbors never night Oliver Stone patients Paul Thorpe Peter Thorpe play problem product plug ramparts Reservoir Dogs Robert Rodriguez scene where Bishop screen screenplay screenwriting script shoot shot Simens Sister Wilhemina sound started Steadicam Steps to Death STODDARD Susie talking tape Tarrytown Ted and Kenna tell thing Thorpe's told Turk Bishop turn Twelve Steps twelve-step programs videotape wanted week White Sox wife write York