Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War

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Harvard University Press, 2004 - History - 329 pages
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At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity.

Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.

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User Review  - DarthDeverell - LibraryThing

In Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, Penny M. Von Eschen examines the U.S. State Department’s use of jazz to promote U.S. values and goals around the world. Von Eschen ... Read full review

Satchmo blows up the world: jazz ambassadors play the Cold War

User Review  - Not Available - Book Verdict

During the Cold War era--when halting the spread of communism in existing and emerging countries was a prominent goal of the U.S. government--jazz was a potent force in both the musical and the ... Read full review

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References to this book

Hollywood's Cold War
Tony Shaw
Limited preview - 2007
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About the author (2004)

Penny M. Von Eschen is Associate Professor of History and African American Studies at the University of Michigan, Ann Arbor.

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