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ON THE COMPOSITION OF VIBRATIONS
ON THE COMPOSITION OF VIBRATIONS pp 25
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altered bass beat-notes cents chord cochlea combinational tones comma compound tone consonance and dissonance consonant corresponding curve degree diatonic differential tones digitals dissonant duodene effect enharmonic equal temperament excited Fifth finger fork Fourth give Greek hammer harmonic upper partials harmonium heard Helmholtz Hence higher human voice instruments intervals intonation length lower major scale major Third means meantone meantone temperament melody membrane minor Second minor Seventh minor Sixth modulation motion musical tones musicians notation number of beats observed Octave perfect perfect Fifths pianoforte pitch numbers played position prime tone produced Prof proper tone Pythagorean quality of tone ratio reed resonance result sect Semitone sensation shew shewn simple tones singing sound string subdominant sympathetic vibration tetrachord theory tion tonic Translator triad tube tuned tuning-forks upper partial tones violin voice vowels waves